Max Ackermann
Berlin 1887 - 1975 Unterlengenhardt
Selected Works
Vita
05.10.1887Berlin
1891
Move to Ilmenau (Thuringia)
1906/07
Weimar School of Arts and Crafts, with Henry van de Velde
1908/09
Desden Art Academy, Sculpture
1909/10
Academy of Fine Arts Munich, painting with Franz von Stuck
1912/13
Academy of Fine Arts Stuttgart, with Richard Pötzelberger
1912
Acquaintance with Adolf Hölzel, through whom he received his first impulses in the direction of non-objectivity
seit 1913
works as a freelance artist in Stuttgart
1915 - 1917
Drafted into military service as a Landsturmmann. Due to his war experiences and his socio-political stance, he turned to a critical realism.
um 1920
Dealing with constructivism
1924
First solo exhibition at the Württembergischer Kunstverein in Stuttgart
um 1926
Examination of the geometrically stylised figures of Fernand Léger. Ackermann develops typified dance and gymnastics depictions
seit 1930
alongside abstract-figurative works, increasingly purely abstract compositions of form and colour
1936
Due to National Socialist art policy, he and his wife move back to Hornstaad on Lake Constance
1937
Discredited as "degenerate". Ackermann is banned from his profession.
seit 1941
Dissatisfied with the "encoding of abstraction and object", he increasingly created purely abstract works and gradually abandoned the object with the aim of "absolute painting"
1943
Destruction of Ackermann's studio in Stuttgart and thus of a large part of his early works
1950
Member of the "Deutscher Künstlerbund" and the "Sezession Oberschwaben-Bodensee". Final decision in favour of abstraction.
1955
the first monograph on Ackermann, written by Will Grohmann, is published.
1956
major exhibition at the Staatsgalerie Stuttgart
1957
Conferral of the title of professor
1967
First retrospective (with stops in Koblenz, Mittelrhein-Museum, Wolfsburg, Kunstverein, Kaiserslautern, Pfalzgalerie, among others)
1972
Move to Oberlengenhardt
1975
Move to Unterlengenhardt
Awards
Solo exhibitions (selection)
1924
Württembergischer Kunstverein Stuttgart, Stuttgart, Germany
1931
"Max Ackermann", Kunstverein Ulm, Ulm, Germany
1947
"Max Ackermann - Adolf Hölzel", Kunst- und Museumsverein Wuppertal, Wuppertal, Germany
1949
"Max Ackermann", Galerie Gerd Rosen, Berlin, Germany
1950
Zimmergalerie Franck, Frankfurt a.M., Germany
1953
"Max Ackermann", Zimmergalerie Franck, Frankfurt a.M., Germany
1953
Niedersächsische Landesgalerie, Hannover, Germany
1956
"Max Ackermann", Staatsgalerie Stuttgart, Stuttgart, Germany
1967
"Max Ackermann: Gemälde 1908-1967", Mittelrhein-Museum, Koblenz; Kunstverein Wolfsburg; Pfalzgalerie Kaiserslautern (weitere Stationen), Germany
1982
"Max Ackermann: Maler, Zeichner, Radierer", Staatsgalerie Stuttgart; Bodensee-Museum Friedrichshafen (weitere Stationen), Germany
1987
"Max Ackermann 1887-1975 (Zum 100. Geburtstag)", Galerie der Stadt Stuttgart; Jahrhunderthalle Hoechst, Germany
1989
"Max Ackermann: Klang der Farbe", Galerie Döbele, Stuttgart, Germany
1992
"Max Ackermann: Die nie gesehenen Bilder. 1944 ausgelagert - 1991 aus Dresden zurückgeführt", Museum am Ostwall, Dortmund, Germany
1995
"Max Ackermann 1887-1975: Bilder aus siebzig Jahren (Retrospektive)", Galerie Bayer, Bietigheim-Bissingen, Germany
2000
"Lob des Blau: Öl und Pastell. Zum 25. Todestag von Max Ackermann", Galerie Koch, Hannover, Germany
2004
"Max Ackermann: Die Suche nach dem Ganzen", Zeppelin-Museum Friedrichshafen; Kunstmuseum Bayreuth, Germany
2013
"Max Ackermann: von der ornamentalen Linie zur heiligen Fläche : die nie gezeigten Bilder 1905-1975 : eine Hommage zu seinem 125. Geburtstag 2012", Kunsthaus Apolda Avantegarde, Apolda, Germany
2017
"Max Ackermann: Der Motivsucher", Zeppelin-Museum Friedrichshafen, Friedrichhafen, Germany
Group exhibitions (selection)
1926
"3. Ausstellung der Stuttgarter Sezession", Neues Kunstgebäude Stuttgart, Stuttgart, Germany
1927
"4. Ausstellung der Stuttgarter Sezession (mit der Berliner Sezession)", Kunstgebäude Stuttgart, Stuttgart, Germany
1928
"Grosz - Kandinsky - Ackermann", Kunsthaus Schaller, Stuttgart, Germany
1946
"Kunst der Gegenwart", Hessisches Landesmuseum Kassel, Kassel, Germany
1946
"Allgemeine Deutsche Kunstausstellung Dresden 1946", Stadthalle, Dresden, Germany
1949
"Kunst in Deutschland 1930-1949", Kunsthaus Zürich, Zürich, Switzerland
1958
"Ackermann - Itten - Kleint - Vordemberge-Gildewart", Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
1961
"Hölzel und sein Kreis: Der Beitrag Stuttgarts zur Malerei des 20. Jahrhunderts", Württembergischer Kunstverein Stuttgart, Stuttgart, Germany
1975
"Als der Krieg zu Ende war: Kunst in Deutschland 1945-1950", Akademie der Künste Berlin (West); Deutsches Literaturarchiv Schiller-National-Museum, Marbach, Germany
1985
"1945-1985: Kunst in der Bundesrepublik Deutschland", Staatliche Museen Preußischer Kulturbesitz, Nationalgalerie, Berlin, Germany
1985
"Vom Klang der Bilder: Die Musik in der Kunst des 20. Jahrhunderts", Staatsgalerie Stuttgart, Stuttgart, Germany
Collections
About the artist
Max Ackermann was born in Berlin in 1887 and grew up in Ilmenau (Thuringia) from 1891. Studies: 1906-1907 Weimar School of Arts and Crafts under Henry van de Velde, 1908-1909 Dresden Academy of Fine Arts, 1909-1910 Munich Academy of Fine Arts under Franz von Stuck, 1912-1913 Stuttgart Academy of Fine Arts under Richard Pötzelberger. In Stuttgart, acquaintance with Adolf Hölzel, through whom he received his first impulses in the direction of non-objectivity. Worked as a freelance artist in Stuttgart from 1913. 1915-1917 Drafted into military service as a Landsturmmann. Due to his war experiences and his socio-political stance, he turned to a critical realism. From around 1920 he also became involved with Constructivism, and in 1926 with the geometrically stylised figures of Fernand Léger. Development of typified dance and gymnastics depictions. First solo exhibition at the Württembergischer Kunstverein in Stuttgart in 1924. From around 1930, in addition to abstract-figurative works, increasingly purely abstract form and colour compositions. Due to National Socialist art policy, he and his wife moved back to Hornstaad on Lake Constance in 1936. In 1937, Ackermann was discredited as "degenerate" and banned from his profession. From 1941, dissatisfied with the "encoding of abstraction and subject matter", he increasingly created abstract works and gradually abandoned the subject matter with the aim of "absolute painting". In 1943, Ackermann's studio in Stuttgart was destroyed and with it the majority of his early works. Increasingly recognised after the Second World War. In 1950, Ackermann became a member of the "Deutscher Künstlerbund" and the "Sezession Oberschwaben-Bodensee", in whose exhibitions he regularly took part. He finally decided in favour of abstraction. In 1955, the first monograph on Max Ackermann is published, written by Will Grohmann. The following year, a major exhibition of his work at the Staatsgalerie Stuttgart and in 1957 he was awarded the title of professor. 1967 First retrospective (with stops at the Mittelrhein-Museum, Koblenz, Kunstverein Wolfsburg, Pfalzgalerie, Kaiserslautern, among others). Increasing health problems in the following years. In 1972 he moved to Oberlengenhardt, in March 1975 to Unterlengenhardt together with his second wife and their son Peter. Max Ackermann dies on 14 November 1975. In December 1975-February 1976, the Stuttgart City Gallery honours him with a memorial exhibition.